Rainy day woman lyrics8/17/2023 Tom Petty and the Heartbreakers blasted their way through “Rainy Day Women” during 1992’s Bobfest celebration at MSG. Waylon Jennings wrote his own “Rainy Day Woman” in 1975. College kids were turning on, tuning in, and dropping out, and Bob Dylan was their lyrical and spiritual guru in many respects. After all, it was Dylan who first turned the Beatles on to “grass,” paving the way for albums like Revolver, Sgt. The impact of this song on the burgeoning youth movement cannot be denied. And, uh, one of the protestiest of all things I ever protested against in my protest years…” It’s another sort of a North Mexican kind of a thing, uh, very protesty. …and it borders on the mathematical, you know, idea of things, and this one specifically happens to be … Rainy Day Women #12 & 35 happens to deal with a minority of, you know, cripples and Orientals and, uh, you know, and the world in which they live,…. Now, you know what that means so I’m not gonna have to go into that specifically here. “Well, you know my songs are all mathematical songs. Here’s a more elaborate explanation Dylan gave that same year: “I never have and never will write a drug song,” Dylan said in 1966, further cementing his reputation as a man who was not afraid to obfuscate the truth in print. The song was banned on many radio stations in both the States and abroad (contrast that with all the things you can get away with on the radio now.) Despite the partial ban, it managed to reach #2 on the charts. The take, which the band assumed was just a warm-up, was released as a single one month later. Bassist Henry Strzelecki, feeling the effects of his imbibing, started laughing during the take, which had a snowballing effect, part of why Dylan fumbles with the words here and there (“they’ll stone you when you are ‘ung and able”). The musicians all swapped instruments so as to keep with Dylan’s request to not to sound too polished. According to Sounes, Dylan, who didn’t like to interact too much with the musicians on the album, preferring to keep them on their toes, finally approached the band and told them he “wasn’t going to record the song with a bunch of straight people.” This lead to the prompt consumption of several joints and a strange, green-colored drink from a local bar known as “leprechaun cocktails.” Charlie McCoy, who added the second guitar part to “Desolation Row,” stayed sober however. Howard Sounes’ book “Down The Highway” tells the tale of the studio recording. Even his harmonica playing manages to sound inebriated. “Rainy Day Women” has a drunken, New Orleans party vibe, complete with trombone and tuba, and shouting revelers in the background (the musicians), with Dylan himself cracking up several times. Then they’ll stone ya when you’re there all alone. They’ll stone ya when you’re tryin’ to go home. They’ll stone ya just a-like they said they would. “Well, they’ll stone ya when you’re trying to be so good, Jones.Īnd so a musically historic double entendre was born. Jones didn’t understand him, and neither did Ms. Eight months prior, he had “sold out” the folk movement by going electric at the Newport Folk Festival. The other thing - by this point, the 26-year-old Dylan had been analyzed, lionized and criticized more than the Mona Lisa, and who could blame him for feeling a little persecuted. You can see it in Don’t Look Back, and you can definitely see it in Eat the Document. By 1966, Dylan was appearing on camera stoned out of his gourd on camera.
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